Opium String Quartet (O.S.Q) powstał wiosną 2004 roku. Niespełna trzy miesiące później zadebiutował podczas letniego festiwalu im. Jerzego Waldorfa w Radziejowicach zdobywając entuzjastyczne recenzje.
Richard Berkeley – śpiewak, animator kultury, prezes Zarządu Fundacja Nowa Orkiestra Kameralna, którego rodzina pochodzi z Polski studiował śpiew u Ellis Keeler w Guildhall School of Music and Drama w Londynie. Pobierał także prywatne lekcje u Rene Jacobsa, Paula Esswooda, John York Skinnera, Margar
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Régis Campo is a prominent contemporary composer known for his diverse range of musical compositions. His work encompasses a wide variety of genres, in this case, with his composition titled "Sept Humoresques." This particular piece showcases his exceptional ability to blend traditional forms and styles with experimental techniques, resulting in a unique and captivating musical experience. "Sept Humoresques" was composed in 2010 and is written for a mixed choir and string quintet. The combination of voices and strings creates a harmonious collaboration between two distinct musical entities, allowing for a rich and textured sonic landscape. Campo's choice of instrumentation reflects his intricate understanding of the individual capabilities of each instrument, therefore enhancing the overall musical expression. As suggested by the title, "Sept Humoresques," the composition explores the theme of humor. Campo ingeniously weaves elements of wit, playfulness, and lightheartedness throughout the piece, creating seven distinct movements that each embody a particular mood or character. From whimsical melodies to unexpected rhythmic patterns, Campo consistently surprises the listener with his imaginative and unconventional musical choices. It is noteworthy to mention that Campo's composition is firmly rooted in the contemporary classical tradition, which embraces experimentation and innovation. He seamlessly incorporates avant-garde techniques such as extended vocal techniques and unconventional string playing, pushing the boundaries of what is considered conventional choir and string music. This bold and innovative approach makes "Sept Humoresques" an intriguing and engaging composition for both performers and listeners alike. Furthermore, Campo's composition showcases his deep understanding of musical form and structure. Each movement within "Sept Humoresques" demonstrates his ability to create a seamless flow between contrasting musical ideas, maintaining a cohesive and coherent musical narrative. The use of recurring motives and motifs throughout the piece further emphasizes this skillful craftsmanship and attention to detail. In conclusion, Régis Campo's "Sept Humoresques" is a testament to his exceptional talent as a composer. Through his masterful blending of traditional and experimental elements, Campo creates a composition that challenges, entertains, and inspires both the performers and the audience. His ability to push the boundaries of musical expression while still remaining grounded in a rich historical tradition is a testament to his creativity and mastery of his craft.
To video prezentuje utwór "7 Humoresques" napisany przez Régisa Campo. Fascynująca kombinacja chóru i kwintetu smyczkowego zapewnia niezwykłe doznania muzyczne. Kompozycja ta jest pełna energii, różnorodności i kreatywności. Nie sposób się nie uśmiechnąć słuchając tych humorystycznych i dowcipnych dźwięków. Régis Campo udowadnia, że muzyka może być zarówno piękna, jak i zaskakująca. To z pewnością utwór, który zainteresuje młodzież i zachęci do poszerzenia swoich muzycznych horyzontów.