Concierto de Aranjuez - Ewa Jabłczyńska
George Gershwin - Summertime (Janis Joplin 1969)
Kaori Muraji - Concierto de Aranjuez
Philip Glass - Modern Love Waltz
Opium String Quartet (O.S.Q) was formed in the spring of 2004. Just under three months later, they made their debut at the summer festival in honor of Jerzy Waldorf in Radziejowice, receiving enthusiastic reviews.
The beginnings of the quartet's history date back to 1993, when Joanna Baran and Jadwiga Wołek founded a guitar duo called Alirio Duo. Despite the successes the duo achieved in Poland and abroad, the artists decided to expand its lineup, wanting to enrich...
Adam Domagała: When you founded the famous Alban Berg Quartet over 40 years ago, you were already, like your colleagues, a recognized virtuoso, a professor at the Academy of Music in Vienna. Using terminology from the world of pop music: it was a supergroup, loud from the very beginning due to the reputation of its members. Do you think that in today's times such a 'professorial' venture would have a chance of success? Could it capture the attention of a distracted audience?
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Adagio from Concierto De Aranjuez is a transcendent piece of music performed by The Modern Jazz Quartet in 1969. This rendition showcases the immense talent and creativity of the artists involved - John Lewis on piano, Milt Jackson on vibraphone, Percy Heath on bass, and Connie Kay on drums. The composition itself was originally created by the Spanish composer Joaquín Rodrigo in 1939. Rodrigo's Concierto De Aranjuez is one of his most famous works and is often considered a masterpiece of contemporary classical music. It draws inspiration from the historic gardens of the Royal Palace of Aranjuez, just outside of Madrid. What makes this interpretation unique is the fusion of jazz and classical genres. The Modern Jazz Quartet took the beauty and elegance of Rodrigo's original composition and gave it their signature jazz treatment. Their improvisational skills and deep understanding of harmony are on full display, adding a new dimension to the piece. John Lewis's piano playing captures the essence of the Adagio with its delicate and nuanced phrasing. Milt Jackson's vibraphone adds a haunting and ethereal quality to the performance. Percussionist Connie Kay's contribution on drums adds a rhythmic complexity that complements the melodic elements, while bassist Percy Heath provides a solid foundation with his rich and resonant notes. This performance is a testament to the enduring beauty and versatility of Rodrigo's masterpiece. It transcends boundaries and genres, bridging the gap between classical and jazz music. The Modern Jazz Quartet's rendition of Adagio from Concierto De Aranjuez is a testament to their exceptional musicianship and their ability to breathe new life into established classics. Listening to this rendition allows us to appreciate the immense talent and creativity of the artists involved while also paying homage to the genius of Joaquín Rodrigo. It is a testament to the power of music to evoke emotions and transport us to different times and places. This performance is a must-listen for anyone who appreciates the beauty and intricacies of both classical and jazz music.
This version of "Adagio From Concierto De Aranjuez" performed by The Modern Jazz Quartet is absolutely amazing! John Lewis on piano, Milt Jackson on vibraphone, Percy Heath on bass, and Connie Kay on drums create an incredibly cohesive band. Their interpretation of the piece by Joaquín Rodrigo is full of passion and emotion. It is remarkable how jazz musicians can transport themselves into such a classical world and give it their own sound. This is a beautiful fusion of jazz and classical music. I recommend it to anyone who appreciates an exceptional blend of different musical genres.