We present another episode of the "Music of Freedom" series. On the 100th anniversary of Leopold Tyrmand's birth. For eight weeks, we present conversations with musicians who debuted in the 1950s. The hero of the seventh episode is Wojciech Karolak – an outstanding pianist, virtuoso of the Hammond organ,
For all those music lovers for whom the history of music begins with Johann Sebastian Bach, we have two pieces of news: one – very good, the other – also good, although it may not be the best.
The last, 12th volume of the "Musical Encyclopedia PWM" went on sale on February 12 this year. Thus, the 33-year history of one of the most ambitious projects of the Polish Music Publishing House comes to an end.
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In episode 40 of "The History of Polish Music", the presentation of Volume I part two continues, which is handled by Katarzyna Morawska. This time we move back in time to the medieval period, specifically the years 1320-1500. This is a fascinating period in the history of music, during which the first forms of Polish secular music were developed. In medieval Poland, music served many different functions. It was an integral part of religious culture, used during Mass, services, and processions. At the same time, it was present in the daily life of society, accompanying dances, festivities, and celebrations. The composers of this period are not well known to us, as most of their compositions have not survived to this day. However, the preserved works, such as "Gaude Mater Polonia" or "In te domine speravi", allow us to see what the sound of medieval Polish music was like. The music of this period is characterized by simplicity of form and structure, and its melodies are easy to remember and sing. Monophonic chants, which could be performed by a single person or a larger group of singers, are often used. It is worth emphasizing that although many of these works are no longer popular, they hold great significance for the development of Polish music. It was precisely during this period that the foundations of our Polish musical heritage were created, which continued in subsequent eras. In summary, episode 40 of "The History of Polish Music" is a fascinating journey back to medieval Poland. Thanks to the efforts of Katarzyna Morawska, we can learn about the first expressions of Polish secular music, which constituted an inseparable element of the society's life during this period. I wholeheartedly recommend this program to all music and history enthusiasts.
It is fascinating that the broadcasts of Polish Music History present to us the history of Polish music in an accessible and interesting way. This part about Polish Music in the Middle Ages is very educational. I learned many interesting facts about composers and their works. It's amazing how music can transport us through time and space. Thanks to this program, I can engage in the history of Polish music and broaden my knowledge on the subject. I am eagerly awaiting the next episodes to learn even more about artists and their creativity.