"Gnossienne" is a word invented by the French composer, intended to serve a similar role as the names of musical forms (fugue, suite, symphony...), the composer named several of his works this way, adding numbers to them. The word likely comes from the word gnosis (Satie was a member of a Gnostic sect).
On guitar, Steve Hackett (guitarist of the rock group Genesis), on flute, his brother John Hackett.
Erik Satie - Gnossienne No. 3 - Cubus
John Hackett and Marco Lo Muscio - Hands of the Priestess
Erik Satie - Gnossienne No.1 - Seth Ford-Young
Praful - Gnossienne No. 1 (E. Satie)
Richard Berkeley - singer, cultural animator, president of the Board of the New Chamber Orchestra Foundation, whose family comes from Poland, studied singing with Ellis Keeler at the Guildhall School of Music and Drama in London. He also took private lessons from Rene Jacobs, Paul Esswood, John York Skinner, Margaret Lobo, and Arwel Trehearne Morgan.
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Erik Satie was a French composer whose creativity broke traditional musical conventions of his time. His piece "Gnossienne no.1" is a perfect example of his extraordinary compositional style. The word "Gnossienne" was created by Satie himself to give his works a special designation, similar to the names of musical forms. This term likely comes from the word "gnosis," which is associated with spiritual practices and secret knowledge. Satie was also a member of a Gnostic sect, which may have influenced his choice of this name. The video presents an interpretation of "Gnossienne no.1" by Steve Hackett, the well-known guitarist of the rock group Genesis, and his brother John Hackett on the flute. This interpretation allows for a new perspective on Satie's work, combining elements of rock with classical music. The piece itself is an example of Satie's characteristic style, marked by simplicity, repetitive motifs, and unusual harmony. Gnossienne no.1 is a calm, melancholic composition that immerses the listener in an exceptional atmosphere of reflection and contemplation. Erik Satie played an important role in the history of music as a precursor of minimalism and impressionism. His eccentric composing style, artistic independence, and unique contribution to the development of modern music have made him widely recognized and appreciated to this day. "Gnossienne no.1" performed by Steve and John Hackett is a perfect example of how inspiring and universal Satie's music can be, which continues to move and touch the hearts of listeners.
This is an amazing combination of talents! Satie's Gnossienne no.1 is a beautiful, melancholic, and emotionally rich piece that captivates with its simplicity. Steve and John Hackett definitely capture the character of this work; their interpretation is exceptional. Steve on guitar and John on flute create a magical atmosphere that transports the listener to another world. This version adds new shades to Satie's original piece while preserving its essence. It's truly an enchanting performance that is worth listening to and appreciating.