Sarah Brightman and Andrea Bocelli - Time to Say Goodbye
Wolfgang Amadeus Mozart - The Marriage of Figaro
Ludwig van Beethoven - Ninth Symphony
ADYA & GEISHA - CHERUBINO'S ARIA
Alongside Beethoven and Mozart, a great representative of Viennese classicism. Considered the father of the symphony, sonata, and string quartet, he contributed to the flourishing of these musical forms, which survived almost intact until the beginning of the 20th century.
Born in 1710, this artist creating in the Baroque era lived only 26 years, yet had a huge influence on later composers, especially on Mozart...
Musicians played interpretations of works by Bach, Mozart, Paganini, and Tchaikovsky on historic, borrowed Italian instruments, including famous Stradivarius. The outstanding encores of the artists ended with long standing ovations.
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Edith Mathis - I no longer know what I am, what I do; this is a wonderful performance of the aria from the opera The Marriage of Figaro by Wolfgang Amadeus Mozart. Edith Mathis was a Swiss opera singer, regarded as one of the most important sopranos of her generation. It is important to understand the historical and musical context of this opera. The Marriage of Figaro is one of the most important operatic works in history, written in the 18th century. The composer, Mozart, was an outstanding representative of the classical era, and this opera is one of the best examples of his masterful creativity. The aria "Non so più cosa son, cosa faccio" is a fragment from the first act of the opera. It is the moment when the character Cherubino, a young page serving Count Almaviva, expresses his infatuation with every woman on stage. Edith Mathis, performing this role, conveys innocence, charm, and emotion. Mathis's voice is characterized by excellent technique, purity of sound, and strong interpretive expression. Her performance of the aria is full of emotion, delicacy, and finesse. The artist perfectly reflects the composer's intentions, capturing both the joyful character of the opera and the subtle irony associated with the character of Cherubino. Edith Mathis was valued not only for her vocal abilities but also for her acting. Her interpretation of the character in the opera is full of energy, emotion, and credibility. Edith Mathis's performance of "Non so più cosa son, cosa faccio" is a true feast for opera lovers. Her talent, technical precision, and ability to convey emotions make every performance unforgettable. It is an art that enriches our knowledge of music history and showcases Mozart's influence on the world of opera.
This piece is a true gem of classical opera music! Edith Mathis performs it in an incredibly emotional and expressive way. Her voice is enchanting and surprisingly powerful. Listening to this recording, one can feel as if they are transported to the world of opera. The melody of the piece, combined with the beautiful performance, draws you in and doesn't let you detach from the sounds. Mathis's performance is a true feast for the ears and the heart. The Marriage of Figaro is one of the most beautiful operas by Mozart, and this interpretation only confirms that. I am delighted!