THE BAT is not just any operetta. It is, in fact, an operetta, a masterpiece of this genre – with these words, Felix Weingartner, the Austrian conductor, composer, and pianist from the turn of the 19th and 20th centuries and a great connoisseur of operetta, defined the work of Johann Strauss II. If we add to these words the authority of Gustav Mahler, who personally conducted THE BAT, thus providing an immortal model for all future interpretations, it is hard to find better recommendations.
The staging at the Grand Theatre in Ąódź has at least two additional assets: the master Julian Tuwim, author of the Polish translation of the libretto, and the production director Giorgio Madia – a world-renowned artist, creator of outstanding stage visions, such as in THE TALES OF HOFFMANN or in the well-known to the Ąódź audience, comical CINDERELLA.
Johann Strauss himself, the master of the Viennese waltz, showcased in THE BAT his great sense of humor, instrumental wit, and musical characterization of the characters – heroes who in this extremely funny, yet not nonsensical, arrangement of events and characters, double and triple their efforts to put the audience in the best possible mood. Finally, it is this 'wonderful child' of Strauss, a colorful list of hits, each of which is a musical and vocal gem, an opportunity for virtuosic displays for the performers.
And if masters take on a masterful work, including the well-known for his conducting mastery and sense of humor Tadeusz Kozłowski, there is only one conclusion: one must absolutely witness this event!
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